“Before now, I had really just been concerned about expressing myself and getting my story out there-and people have connected to that.
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Wow… so she really busted ol’ boy’s windows huh. I let my girlfriends hear it, and they were like, ‘Girl, do your thing-whatever this leads to.’ And it led to my world opening up in such a different way…” I was restless, because I was still in the moment. For example, busting windows out of an ex’s car and literally going straight from doing it to not being able to sleep. So many of the songs at that time came from a lot of the childish stuff I was going through. But for me, I just wanted to express myself in the most natural way, and that means me writing my stories. I was just doing what felt natural, and luckily I had gotten with a record company and with people who allowed me to do that. “I wish I could say I had a master plan, but I really didn’t. Habermehl, Mereba and others.Check out excerpts from the article below. The soundtrack for the final season included a fresh track from TeaMarrr and a new Saweetie single, “Get It Girl,” as well as contributions from Thundercat, They, Nnena, Josh Levi, B.K. Raedio’s most recent release, “Insecure: Music From The HBO Original Series, Season 5,” came out Dec. Initial artists on the roster included TeaMarrr and Yung Baby Tate (who has subsequently shortened her name to Baby Tate and moved to the Warner Records lineup). Rae announced her partnership with Atlantic Records for the Raedio label in October 2019. “So in some ways, there are parallels to my own journey, but the music world is so different and twisted and crazy, as I’m learning myself.” “It’s set in the indie music world and it’s a completely different world, a very different story of still friendship, but trying to make it an industry that doesn’t see it for you,” Rae told the Times.
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In a separate interview with the newspaper, Rae talked about the HBO Max series she just completed filming, “ Rap Sh*t.” The new series, in which she does not appear on-camera, has the two members of the hip-hop duo City Girls as executive producers. As a music lover, nothing excites me more than feeling like you’re on to an artist first. And then, of course, I do my own digging for people that I love. Kier (Lehman, the show’s music supervisor) has put me on to so many new artists that I felt get the sound of the show. Looking back on the series, Rae said, “We highlighted female singers and rappers in a distinct way when others weren’t - I’m thinking about TT the Artist and Kari Faux in Season 1… That was one of the mandates - L.A. Rae had plenty of good words for individual artists in the interview, singling out, naturally, the 2021 successes of Jazmine Sullivan, who recorded a title song for “Insecure” in Season 2 with Bryson Tiller, saying, “She’s just literally pure talent.” Rae also cited Don Toliver and Cleo Sol as personal musical favorites from this year. I can’t speak to why it didn’t make it, but I do really love the record.” Asked about the omission in a recent interview with Billboard, Recording Academy CEO Harvey Mason Jr. Wizkid’s “Essence” was nominated for a Grammy for best global music performance, but not record of the year. To see Black people and our contributions to music not celebrated in the way they should be - I mean, these aren’t institutions for us.” What are you rewarding?’ This is dumb, but I’ll say it anyway: A song like ‘Essence’ - just absolutely a powerhouse, and yet could not be properly acknowledged by the institution that is supposed to celebrate the best in music - that trips me out. When I think about the Grammys and these other systems that are designed to reward artistic creativity and uplift artists, I just feel like, ‘Y’all don’t get it. “What really bums me out - and this aligns with Hollywood - is the way that music is rewarded. Rae also knocked the Grammys in the interview, and singled out one record in particular she thought had been unfairly snubbed. And to find out how artists were treated on other labels … When I myself am a creator and know what I want in relation to a relationship with a production company or a producer, I would like to think that we are more artist-friendly than much of other brands and companies out there. “I do not want to be too specific, but even with making our own appointments with labels or artists, it would be so intricate. Rae did not get into her dismay with the music business beyond generalities, but indicated her feelings were based on a combination of her own experiences setting up soundtracks and hearing from artists about what they deal with on a regular basis.
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